This week in comics: SINK #2, execrably entertaining

By pghhead -

SINK #2  (ComixTribe, November 8 release date) “The Door At The End”  Story by John Lees.  Art & Colours by Alex Cormack.  Letters by Shawn Lee. Logo by Tim Daniel.  www.comixTribe.com

www.sink.comixtribe.com  

 

       There is nothing I like more than a great horror comic.  While I avidly read comic books in all genres, horror comics have always been my favorite. Comics are a natural medium to tell a compelling horror tale. The ability to combine words with images, and utilize shading and color can really enhance the fear and excitement.

 

    The opening panel of “The Door At The End” in SINK #2 reminded me of the classic scene in THE EXORCIST film (1973) where Father Merrin stands outside in the rain on a dark and stormy night, contemplating the residence of terror he’s about to enter.  In SINK #2, Sharon the “cleaner” in a similar dark and stormy night gets her first look at the location of her next job.  The art tells us everything we need to know.

 

     It’s also the reader’s first look at main character Sharon, an independent contractor who is sardonic, sinister, dangerous, and all business. A three-way liaison has gone wrong, and there’s a murder victim to dispose of.  Just another routine work day for Sharon, until she departs the scene of the crime and the bodybag in the back seat of her car sits up.  What follows is an endearing heart-to-heart conversation between murder victim and Sharon.

 

   During the crowd-funding days of SINK, I was on board and looked forward to receiving the title. At the time I assumed that the killer clowns in the spooky blue van as well as the vigilante avenger in a full-head fox mask would be regular characters.  While a fox does make a quick cameo appearance in SINK #2, there are no clowns in site. However, I’ve been informed that they may return in a future issue.  

 

   The main character of SINK is neither clown nor vigilante.  It’s the town of Sinkhill, a seemingly fictional borough of Glasgow, Scotland.  It’s a creepy place of shadows, secrets, and shady residents - - similar to how Gotham has been portrayed in some versions of Batman. 

 

   Every story will feature another terror-filled tale that occurs in Sinkhill.  All the better.  Looking forward to the remaining three issues.  Keep it going, gentlemen.

 

News updates on SINK:

 

•Remember Image Comics’ CHEW #1 from 2009?  That title surprised everyone with it’s excellence and became a hot item, selling out of the first three issues quickly. Issue #1 went through four printings.  SINK, published by smaller independent ComixTribe, did not have the same size initial print run as an Image comic does, and completely sold out of it’s 6,000 copy print run at both Publisher and Distributor levels. For the first time in company history, ComixTribe has gone to a second direct market printing for the first issue. The new printing features an all new Killer clown cover by Alex Cormack, due out in December.  I expect this to sell out as well and advise you to pre-order a copy. You won’t regret it. 

 

•SINK and ComixTribe are also proudly participating in the Local Comic Shop Day event November 18, with THE BLACK BAG, which features Limited Edition BLACK Variants of SINK #1 & #2, along with other ComixTribe exclusives. Don’t expect your local comic shop to be a participant because they need to make an investment in the event and not every single comic shop is ready to do so. Don’t get disappointed. Call your local shop now to find out if they are going to feature this. 

 

 

•SINK #2 is close to selling out as advanced Diamond re-orders have claimed nearly all available publisher copies. If there is a second print on #2, we'll let you know. In the meantime, you better get to your local comic shop fast to pick up your copy if you don't want to miss out.

 

BC RATING SYSTEM

 

 STORY:  Love the twist ending. Plus, this is not your typical horror comic story.  3 POINTS. 

 

ART: This would not be the great story that it is without the awesome images. 3 POINTS.

 

COVER: Simple but effective, and attention-getting. 2 POINT.

 

READ AGAIN? Still enjoying this after multiple readings  1 POINT.

 

RECOMMEND? Horror comics are not for all readers. But if you enjoy them, you don’t want to miss this one..  One-Half POINT.

 

TOTAL RATING: 9.5 POINTS. Near perfect, like a 9.5 graded comic.

Comments

Post a Comment

Popular posts from this blog

Robert Kirkman: Invincible, Walking Dead, Wolf-Man

By -
Image
I wasn't actually a huge fan of Robert Kirkman when I first started reading his books.  He was competent, sure, but I didn't see the appeal-- The Irredeemable Ant-Man was a boring side story in the middle of  Civil War and  The Initiative (although I've since changed my mind about this), and his  Ultimate X-Men run was, in many places, a mixed bag (although I did very much enjoy his "Phoenix?" storyline).  And  Marvel Zombies  just seemed like a ridiculous idea--not that I bothered to try it at the time. Now, though?  I've completely reevaluated my opinion on his work, and when his name is attached to a project, I'm far more likely to give it a look.  I don't know if I'd classify him as a master storyteller or a comics icon--but he's very skilled, he has an incredible knack for dialog, and he writes stories that, no matter how ridiculous, seem real .  In a medium where characters frequently violate the rules of physics, that's not alway...
Read more

INDIE COMICS: Huffin’ & puffin’ B.B. Wolf’s got the blues

By pghhead -
Image
BB WOLF AND THE THREE LPs  (Top Shelf, May 2010 hardcover, black & white, 86 pages,   $12.95)  As told by JD Arnold with illustrations by Richard Koslowski What got my attention immediately was the pairing up of a classic fairy tale with musical motifs.  That’s a combination that pushes two of my “hot buttons” - -  so I made it a must-read.  I was not disappointed.  This is a very entertaining and cleverly designed work that rivals Bill Willingham’s  creativity on the long-running FABLES series from Vertigo. As if taking the classic tale of the Big Bad Wolf and the Three Little Pigs and turning it upside down wasn’t enough to interest, BB WOLF AND THE THREE LPS  serves as an allegory for the oppression of  the black population in the deep South (Mississippi) in the 1920’s.  While they may be free (wolves),  the governing bodies (pigs) have the power to deny them their land, homes and possessions and even own the...
Read more

more random readings from May 2009

By pghhead -
Image
What else did I finish reading last month?  Here’s a cross-section of various titles . . . . . . . . . WITCHBLADE #126 “War Of The Witchblade Part 2” by Ron Marz and Stejepan Sejic  (Top Cow/Image) Preface:  Now here’s an interesting concept! = In order to attract new readers to its’ titles Top Cow is giving out free books each month as part of it’s Let Us Win You Over project.  ( www.topcow.com/freecomics )  Every month it’s a different title. And they work through different comics shops each month as well.  In April the title was Witchblade #126 and one of the participating dealers was Captain Blue Hen Comics in Newark, DE (my preferred supplier) so voila! - - - I find a copy in my hands. Since the last time I explored the Witchblade series the mythology has expanded to a battle between the forces of light and dark with each side choosing its agents on Earth, hence the Darkness vs. the Witchblade.  I’m still not overly interested in this typ...
Read more