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New Comic Wednesday Review: 4001 A.D. WAR MOTHER
4001 A.D.: WAR MOTHER #1 (Valiant Entertainment, release date August 03, 2016) $3.99, 32 pages. Writer: Fred Van Lente. Artist: Tomas Giorello. Color Art: Brian Reber. Letterer: Dave Sharpe.
WAR MOTHER packs a ton of story into a one-shot issue. Readers won’t be disappointed. More likely, they will be clamoring for more. Hopefully, there is an ongoing WAR MOTHER series somewhere on The Future Of Valiant horizon. It’s a great story, full of promise. The amazing art brings the futuristic fringe society and the surrounding environment to dramatic life. This certainly deserves to be a limited series, at least.
WAR MOTHER spins off from the current 4001 A.D. limited series and cross-over event in several Valiant books (especially RAI). However, it’s not necessary to read those books in order to understand or enjoy the events in this standalone issue.
The Earth of the 41st century is mostly a barren wasteland. The nation of Japan separated from Earth long ago, and now orbits the Earth as New Japan, a floating country in space. There are few natural resources left on Earth and the surviving small communities struggle to survive. One outpost has survived by keeping to a strict policy of isolation. They only send residents outside of their walled city when they need to hunt for supplies from the devastated countryside. War Mother (Ana) is the primary scavenger for her community. She’s a one-woman army utilizing a sentient sniper rifle. As the cover art indicates, she’s a hunter, a protector, a mother, and a warrior - - - and when she gets out on a mission, she’s a total bad ass!
During the conflict between the ruling artificial intelligence of New Japan (Father) and Rai, city-sized sections of New Japan are broken off and jettisoned into space. Large chunks of these fall to the barren Earth. Ana is called out to conduct some mega-salvage and recover any useful inorganic material - - metals, plastics and circuitry. As she departs, she is reminded of the community’s edict: “return home with nothing living."
During the course of the mission, various sections of the planet are revealed as well as various threats from other scavengers and predatory creatures. Ana and her intelligent rifle (she has named it Flaco) develop a friendship and mutual respect. As might be expected, there is more than inorganic material to be salvaged/rescued from the fallen city section - - which puts Ana in conflict with the ruling party of her community.
Great character development. A fully-realized and imaginative world. Incredible illustrations. An intriguing new character in Ana, War Mother. We hope there is more. Recommended.
TALES FROM THE CRYPT #2 FEATURES TWO STORIES FROM LEGENDARY COMICS ARTIST BERNIE WRIGHTSON “LOST CLASSICS” FROM LATE CREATOR APPEAR IN COLOR FOR THE FIRST TIMEfrom the official press release . . . . . . .NEW YORK - (March 21, 2017) - The entire comics industry was saddened to learn of the passing of legendary comics artist Bernie Wrightson this past weekend. Wrightson’s name was synonymous with the best the horror comics genre had to offer and he often spoke of the lasting influence EC comics titles such as the original TALES FROM THE CRYPT and VAULT OF HORROR had on his work.So, it seems only appropriate that two of Wrightson’s stories are included in Super Genius’ new revival of the TALES FROM THE CRYPT series.Issue #2 (in comic shops this Wednesday) features two “lost classics” from Wrightson, “Stake Out” and “Feed It!”, both appearing in color for the first time. The two stories had originally appeared in black and white in other publications but when CRYPT editor Jim Salicrup rem…
EDITOR’S NOTE: Aftershock Comics publisher and chief creative officer Joe Pruett will make a guest appearance at Captain Blue Hen Comics in Newark, DE this Friday 11/03. He’ll be signing copies of his own BLACK EYED KIDS (B.E.K.) comic and Aftershock books as well as meeting and talking with fans and interested customers. If you’re on the fence about whether or not you want to attend, read below to learn more information about Joe Pruett . . . . . . . . . . Joe Pruett, 51, is a graduate of the University of Georgia and a veteran of the comic book industry. He’s previously worked as an inker, letterer, writer, editor, and publisher at various companies. His most recent work is at Aftershock Comics where he serves as publisher and C.C.O. as well as writer of the popular horror series, BLACK-EYED KIDS. Tracing Pruett’s career path in the comics industry is like taking a tour of indie comics publishers of the late 80’s and early ’90’s. Pruett was hired in 1989 as an assistant to…
WHERE NIGHTMARES COME FROM (Crystal Lake Publishing, Kindle Edition and E-Pub versions published November 17, 2017) Non-fiction articles on horror and writing.WHERE NIGHTMARES COME FROM serves as an excellent reference source for beginning writers, especially those with a concentration in horror. What better way to learn and absorb than to pick the brains of experienced veterans of horror fiction, poetry, screenwriting and teleplays? All those formats are discussed, as well as some answers to the question posed by the title: “Where Do Nightmares Come From?”, or more emphatically “Where Do Horror Writers Get Their Ideas?” Every piece in this collection answers the title question in one fashion or another, while 21 of the 28 articles concentrate more on various aspects of writing: how to generate ideas, how to work your muse, storytelling techniques, seeing through your character’s eyes, writing with words that fit the story, choosing the right medium to tell a story, how to sustai…